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OUR MISSION

Renewing Critical Thought for the 21st Century

 

​The Institute's mission is to renew the political and ethical imagination of the present. Through interdisciplinary collaboration, IFCC investigates how contemporary mechanisms of control; from technological surveillance to ontological reduction, affect subjectivity and social agency.

What we do

 

The IFCC examines how subjects are shaped, disciplined, and erased by systems of power that operate through invisibility. Its research addresses the conditions under which perception, knowledge, and agency are formed, with particular attention to the role of representation, from ideology to algorithm, in structuring what can be seen, said, and understood.

The Institute develops a form of critical inquiry that moves between philosophical analysis and artistic practice, contributing to reflection on the ethical, cultural, and institutional conditions of contemporary life. Its publications bring together essays, interviews, and critical reflections that engage these questions across disciplines.

Working internationally, the IFCC convenes scholars, artists, and practitioners at the intersection of philosophy, technology, and culture. It approaches critique not as an end in itself, but as a means of rethinking perception, agency, and the possibilities of collective life.

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LEADERSHIP

Direction & Governance

 

​The Institute's mission is to renew the political and ethical imagination of the present. Through interdisciplinary collaboration, IFCC investigates how contemporary mechanisms of control; from technological surveillance to ontological reduction, affect subjectivity and social agency.

Magnus Green

DIRECTOR

Andrés Escalante

ARTISTIC DIRECTOR

Isaac Timberlake

EDITORIAL

Hugo Jeudy

PROGRAMMES

NETWORK

Contributors 

 

IFCC brings together an international network of contributors across disciplines and institutions.

Miguel Moctezuma

UNIVERSITY OF OXFORD / FOUND 

Henry A. Giroux

MCMASTER UNIVERSITY

Ulises Ali Mejías

SUNY OSWEGO

Chantal Meza

UNIVERSITY OF BATH

Borja Pérez Mielgo

FLORENCE ACADEMY OF ART

PRINCIPLES

How We Work 

Interdisciplinary Inquiry

We do not treat disciplines as fixed domains but as provisional arrangements of knowledge. IFCC works across philosophy, aesthetics, and the social sciences where required by the object of inquiry, not by institutional boundaries. Method follows the problem.

Editorial Independence

The Institute maintains full editorial autonomy across its publications and research. It does not align its work to funding cycles, policy agendas, or technological optimism. Inquiry is guided by the demands of the question, even where this leads against prevailing narratives

Collaborative Practice

Research at IFCC develops through sustained collaboration with scholars, artists, and practitioners. These are not auxiliary contributions but integral to the production of thought. Publications, symposia, and projects emerge from dialogue, not from isolated authorship.

Based in Florence

 

IFCC is headquartered in Florence, Italy:  a city in which questions of power, perception, and political form have long been worked through in philosophy, art, and civic life. From Machiavelli to the Renaissance interrogation of representation, Florence has been a site where aesthetics and philosophy are inseparable.

 

 

 

 

 


 

The Institute takes up this inheritance in the present. Its work examines how data-driven systems, surveillance infrastructures, and regimes of visibility reshape the conditions under which democratic life becomes possible — or foreclosed. Florence is not only a location, but an intellectual position: a commitment to sustained inquiry into power, perception, and collective life.

IFCC operates as an Associazione Culturale under Italian law (art. 36 Codice Civile - ATECO 94.99.20), bringing together international scholars and cultural institutions in ongoing research and collaboration.

"Florence has, for centuries, been a place where the question of how we see — and what remains unseen — structures both political and artistic life.”

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